Event

University of Miami Department of Theatre Arts and PAMM Present: TAKE FLIGHT

April 4, 2024
6:30 PM – 8:45 PM
Past Event

Join us at Pérez Art Museum Miami (PAMM) for a night of theatre! “Take Flight” tells the story of the visionary outsiders who eschewed conventional boundaries and fearlessly and literally pushed mankind to new heights. Armed with an audacious mindset and commitment to innovation, the Wright Brothers, Charles Lindbergh, and Amelia Earhart unlock doors to unprecedented opportunities.

Visitors smiling in the auditorium

Written by musical theatre luminaries David Shire, Richard Maltby, Jr., and John Wiedman, directed by N. David Williams, and performed by students from the University of Miami Department of Theatre Arts, “Take Flight” proves that greatness lies in the courage to challenge the status quo.

Book by John Weidman
Music by David Shire
Lyrics by Richard Maltby, Jr.


About NDavid Williams
NDavid Williams (music director) is the director of the BFA program for the Department of Theatre Arts. He is also a music director of the Jerry Herman Ring Theatre and has been the music director of the Connecticut Repertory Theatre, where he frequently collaborates with theatre legends Terrence Mann and Leslie Uggums. Williams is the founder of Music Theatre Italy and the new Act Healthy—a summer musical theatre intensive in Italy. Williams is a well-known classical pianist and accompanist who has worked throughout this country and in Europe and was host of his own morning classical music radio show. His many theatre credits include “Falsettos,” “A New Brain,” “Guys and Dolls,” “On the Town,” “Company,” “The Music Man,” “A Chorus Line,” “A Funny Thing Happened on the Way to the Forum,” “Bat Boy,” “Baby,” “The Frogs,” and “Gypsy.” Williams directed “The Night Governess,” the inaugural collaboration between the University of Miami Department of Theatre Arts and PAMM. He wrote the music for “Reconstructing Mama” with book and lyrics by Stephen Svoboda. He was also the co-writer and director of “The Miami Vaudeville Review of 1926.”

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