Undead Matter (Materia no Muerta) is a CGI film where death fuels energy at the Silicone Border. Following a sentient factory-machine and an amorphous mass of undead beings, at the Silicone Border death itself becomes a resource fueling technology production.

404: Heritage Not Found is an open-access archive of digital 3D models that preserve Afro-Caribbean everyday cultural heritage. Addressing the critical absence of Afro-Caribbean culture within virtual environments, this living website for Caribbean digital 3D assets will be freely accessible for reuse, study, and community contribution.

KaOuS is an experimental short film that uses the logic of escape rooms, memes, and pop culture to surveil big tech domination and brain rot politics. In a world where reality is fleeting, IA.SK needs to find a way out with unexpected help.

Between Realms is a virtual reality experience and multi-channel film combining African inspired masquerade, live action performance, and real time digital environments. Exploring double consciousness within the Black experience, Between Realms probes what it means to live with fractured identity and how we can begin to make ourselves whole again.

MAIZ is an interactive website featuring digital 3D models and 360° videos that document Mexico’s 64 native corn varieties in collaboration with indigenous seed-guardian communities across Veracruz, Oaxaca, and Chiapas.

Vèvè-Punk: Mind Singer is a psychological thriller, point-and-click video game set in 18th-century Saint-Domingue. You play as Fabienne, a free woman of color and talented singer with telepathic abilities, solving puzzles and mental battles to stop a psychic super-soldier sent by Napoleon from sabotaging the Haitian revolution.

Urban Mining & Regenerative E-Waste Ecosystems is an experimental documentary mapping the global journey of discarded electronics through Old Fadama in Accra, Ghana—home to one of the world’s largest e-waste sites and over 100,000 residents. 

y amanece is a custom website that invites audiences to witness the sunrise in real time across Earth through global livestreams. Every eight minutes—corresponding to the two degrees of Earth’s rotation that a sunrise lasts—the website changes location, inviting audiences to attune with the rhythms of the sun as it illuminates our small, interconnected world.

Slice the Air is a video installation in which a propaganda comic book allegedly commissioned by the CIA during the 1983 U.S. invasion of the Caribbean island of Grenada will be deconstructed, collaged and animated. The comic will be remixed with Caribbean archival materials from the Cold War period and 1980’s American pop culture detritus — “G.I. Joe” cartoon episodes set in the Caribbean; mentions of Grenada in movies such as “Die Hard 2” — to illuminate how the political and cultural imagination of the region has been shaped by outside (and outsized) media interests. 

Minga is a video game installation that reenacts the traditional “House Pulling Minga” ritual of Chiloé, Chile—a communal practice where community members come together to physically transport an entire house. Through cooperative gameplay, Minga invites players to navigate the challenges of collective action in real time.

Territorio de niebla is a realtime virtual environment where algorithmic processes simulate the life of Colombian páramos—sacred, high-altitude tropical wetlands that act as natural water factories across the Andes.

MIAMI 2006 is a video series melding archival footage and AI animation to explore South Florida’s melting pot of spiritual energy.

The Star of Want is a first-person adventure video game that examines the role of dreams in Brazil’s struggle for decolonization. Set in a fantastical reinterpretation of a night in the suburbs in Rio de Janeiro, players are tasked to shoot small in-game videos called ‘Bootleg Dreams’.

Kòd Lwa is an interactive installation featuring seven video-sculptures that meld rituals from Haitian Vodou, queer testimonies, algorithmic images, and electronic music with Haitian metal-cut structures from the Village of Noailles.

Territorio Polytherasia is a video game that imagines a new Pangea where plastic ceases to be waste and becomes genetic material shaping new ecologies of resistance. Presented as a walking simulator, the project invites users to collect testimonies, record sounds, discover plastic-based creatures, and transform the virtual environment through their decisions.

The Glitch City is an experimental documentary film that frames Tijuana as a living glitch, where fragmented images and unstable digital processes mirror the city’s informal economies, border tensions, and strategies of survival.

NULL PRODUCT is a digital sculpture series featuring innovative gaming computers made under conditions of material scarcity across Latin America and the Caribbean. By showcasing the technological inventiveness, artistry, and autonomy emerging from the margins, NULL PRODUCT questions who gets to define digital innovation.

The Babalawo is a browser-based divination experience and immersive installation that invites users into a ritual of collective dreaming. Audiences are asked five elemental questions: How do we eat, play, dream, pray, and love in a liberated future?

Kahayatle is an interactive web map featuring archival documents and 360° videos centered on the Miccosukee Tribe’s biannual Everglades Studies of the wet and dry seasons.

A letter emerged from the ocean is a video essay fusing CGI and Al assisted animation with body horror to disrupt the traumatic relationship between ocean symbolism and the histories of Latin American, the Caribbean and African Diaspora.

MUD reimagines West Indian mythologies through an interactive film with character-controllable components, allowing users to navigate different experimental animation sequences.