Join us for Black Diasporic Feminism, Intersectionality, and Solidarity in the Age of Protest, a panel which highlights the critical role of Black womxn artists and cultural producers within the current social and political landscapes and how Black womxn across the diaspora support and amplify each other's work and voices. The discussion will explore how Black womxn’s experience of racism, sexism, and classism are inseparable and how these “isms” and all other isms are being addressed by artists- specifically those on the panel. The conversation will take place in conjunction with special exhibition Allied with Power: African and African Diaspora Art from the Jorge M. Pérez Collection and will include exhibition artists Genevieve Gaignard, Naudline Pierre, and Deborah Roberts, PAMM Curator María Elena Ortiz, and will be moderated by Marie Vickles, PAMM Director of Education.
Genevieve Gaignard is a Los Angeles based artist whose work focuses on installation, sculpture, and photographic self-portraiture to explore race, femininity, and class. As a biracial woman in America, Gaignard investigates the aesthetic and cultural divide between black and white, a chasm as palpable as it is “invisible.” She interrogates notions of “passing” by positioning her own female body as the chief site of exploration - challenging viewers to navigate the powers and anxieties of intersectional identity. Her work has been included in numerous solo and group exhibitions including: The Smithsonian National Portrait Gallery, D.C.; Crystal Bridges Museum of Art, AR; The Studio Museum in Harlem, NY; California African American Museum, CA; Massachusetts Museum of Contemporary Art, MA; and Prospect.4, LA. Gaignard received her BFA in Photography from Massachusetts College of Art and Design, Boston, MA, and her MFA in Photography from Yale University, New Haven, CT.
Naudline Pierre (b. 1989, Leominster, MA), lives and works in Brooklyn, NY. She creates works that explore a mysterious alternate universe full of characters that often interact with each other in tender ways. Pierre holds an MFA from the New York Academy of Art and a BFA from Andrews University. Her work has been included in exhibitions at the Museum of Contemporary Art, Chicago; The Armory Show, New York; Shulamit Nazarian, Los Angeles; Perrotin, Seoul; Stephen Friedman Gallery, London and Nicodim Gallery, Bucharest among others. Pierre’s works are in the permanent collection of the Pérez Art Museum Miami; CC Foundation in Shanghai; Hammer Museum, Los Angeles; Dallas Museum of Art; The Nasher Museum of Art at Duke University; and The Kemper Museum of Contemporary Art, Kansas City. Pierre was a 2019–2020 artist-in-residence at the Studio Museum in Harlem, New York. The works produced at the residency will be on view at MoMA PS1 from December 2020 through March 2021.
Deborah Roberts (American, b. 1962) is a mixed media artist whose work challenges the notion of ideal beauty. Her work has been exhibited internationally across the USA and Europe. Roberts' work is in the collections of the Whitney Museum of American Art, New York, New York; Brooklyn Museum, New York, New York; The Studio Museum in Harlem, New York, New York; LACMA, Los Angeles, California; the Virginia Museum of Fine Arts, Richmond, Virginia and the Blanton Museum of Art, Austin, Texas, among several other institutions. She was selected to participate in the Robert Rauschenberg Residency (2019) and is the recipient of the Anonymous Was A Woman Grant (2018), Pollock-Krasner Foundation Grant (2016), and the Ginsburg-Klaus Award Fellowship (2014). Roberts received her MFA from Syracuse University, New York. She lives and works in Austin, Texas. She has a solo exhibition opening Fall 2020 at The Contemporary Austin. Roberts is represented by Stephen Friedman Gallery, London and Susanne Vielmetter Los Angeles Projects, CA.
María Elena Ortiz is a curator at PAMM, where she is spearheading the Caribbean Cultural Institute (CCI). At PAMM, Ortiz has organized several projects including The Other Side of Now: Foresight in Contemporary Caribbean Art (2019); Latinx Art Sessions (2019); william cordova: now's the time (2018); Beatriz Santiago Muñoz: A Universe of Fragile Mirrors (2016); Ulla von Brandenburg: It Has a Golden Sun and an Elderly Grey Moon (2017); Firelei Báez: Bloodlines (2015); and Carlos Motta: Histories for the Future (YEAR). Ortiz has contributed to writing platforms such as the Davidoff Art Initiative, Terremoto Magazine, and others. A recipient of the Colección Patricia Phelps de Cisneros (CPPC) and Independent Curators International (ICI) Travel Award for Central America and the Caribbean, Ortiz's curatorial practice is informed by the connections between Latinx, Latin American, and Black communities in the US and the Caribbean.
Marie Vickles is the Director of Education at the Pérez Art Museum Miami and has worked in various roles within the museum’s Education department since October 2013. In her work as the Director of Education, she administers programs that directly serve over 100,000 youth and adults annually. Marie has organized arts educational programs, workshops and exhibitions across the United States and the Caribbean for over 15 years and maintains an active practice as an independent curator producing exhibitions and curatorial projects. In her work as an arts educator and cultural practitioner, she is concerned with the development of new ways to bridge the connections between creativity and community engagement – with the goal of supporting equity, sustainability and access for all, through the arts.