Gonzalo Fuenmayor creates large-scale, hyperrealistic charcoal drawings that critically explore the nexus of national identity, class, and the stereotypes and preconceptions that adhere to Latin America and the Caribbean within a globalized, consumption-driven media culture. Fuenmayor’s technique is subtractive as much as it is additive: he begins by covering the paper with a thick layer of charcoal and then uses erasers to “carve” the image out of the jet black surface. In Tropicalypse, the artist depicts a set of palm trees consumed by fire. The palm trees function as symbols for a generic tropical setting. Ablaze, they suggest a region in crisis. Whether this crisis is social or ecological in nature is left open-ended. The image suggests the regularity with which catastrophic events—from the recent fires in the Amazon rainforest to the political turmoil in Venezuela, Bolivia, and other countries—have dominated media representations of Latin America.
Identification
Title
Tropicalypse
Production Date
2017
Object Number
2020.017a-d
Credit Line
Collection Pérez Art Museum Miami, museum purchase with funds provided by Jorge M. Pérez
Copyright
© Gonzalo Fuenmayor
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Physical Qualities
Medium
Charcoal on paper
Dimensions
84 x 180 inches
Visual Description
Tropicalypse by Gonzalo Fuenmayor is an art piece composed of charcoal divided into four equal parts. Standing 7 tall x 15 feet wide. It is hung in landscape orientation, meaning its longest side runs parallel to the ground.The panels depict a single ongoing black, gray and white image. The composition depicts a dark gray sky interrupted by black and white images. There are silhouettes of palm trees in black and what seems to be clouds, flames or flashes of light represented in white. The image’s scale emphasizes the placement of the trees, some of which reach to the top of the composition, others that creep into view at the bottom Panning left to right, the trees could represent a bar chart starting at the top of the left panel, gradually dipping and forming a slope through the second panel, finally reaching its lowest point in panel three and finally rising slightly again in the last image.With a closer look the palms look like they are up in flames, in fact there is only one tree positioned in the third panel that is fully black. All other trees and palm leaves are taller and are either engulfed in flames or burning at the trunk of the palm. One tree in the second image has a swirl of fire spiraling in an S formation around the trunk. Behind this desolate nightscape there looks to be some swirling wave motion, with a lighter toned gray, implying what could be the ocean in the lower part of the background. The sky is equally gray with vague smoky images of palms in the distance. What could easily be mistaken as stars are actually floating embers in the wind.
Gonzalo Fuenmayor
Gonzalo Fuenmayor — b. 1977, Barranquilla, Colombia; lives in Miami
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