Arturo Herrera is a Venezuelan-born, Berlin-based visual artist known for wide-ranging work that is rooted in the practice of collage. His colorful, often rhythmic art intertwines bits of pop iconography, gestural marks, and nonrepresentational shapes using pictorial strategies of fragmentation, repetition, effacement, and dislocation. The resulting imagery often balances between abstraction and figuration, detached from inherent narratives yet vaguely familiar. Critics suggest that this ambiguity engages memory, fantasy and a viewer’s unconscious private interpretive schemes, evoking a multiplicity of references and readings. In 2020, Art in America writer Ara H. Merjian described Herrera’s practice—which includes works on paper, paintings, reliefs, sculpture, public art and books—as “chameleonic as [it] is consistent,” one that “breathes life into modernist collage, exploring the tensions between exactitude and spontaneity, placement and displacement.”