Sandra Ramos

b. 1969, Havana; lives in Miami

Wikipedia Entry

Sandra Ramos is a Cuban artist, a contemporary painter, printmaker, collagist, video and installation artist who explores nationality, gender, and identity in her work. She is known for works featuring her character of the Cuban Pioneer girl, who is composed of a self-portrait and an appropriated portion of an old illustration from 1895′ L’ illustration French magazine. Ramos currently lives in Miami, Florida, and serves as an artist in residence at Bakehouse Art Complex. Previously, she was a resident artist at the Fountainhead Art Studios. She is also a renowned curator in Cuba, and she won a national award for her curatorial work on the exhibition La Huella Múltiple in 2003 from the Consejo Nacional de las Artes Plásticas (CNAP) in Havana, Cuba.

View the full Wikipedia entry

Content adapted from Wikipedia (CC-BY-SA 3.0)

Featured Exhibitions
exhibition

NOU LA, ESTAMOS AQUÍ, WE ARE HERE

Screening on PAMMTV, the museum’s auditorium, and MIAmi (Miami International Airport moving images) at Terminal J from November 10, 2026 – March 31, 2027, the videos on view show love that defies the borders of time, coastlines that reveal contested futures, neighborhoods in flux, carnival figures that invent their destiny, and dancing that bridges distant…
On the Horizon: Contemporary Cuban Art from the Jorge M. Pérez Collection
exhibition

On the Horizon: Contemporary Cuban Art from the Jorge M. Pérez Collection

This exhibition explores the diverse cultural and emotional landscapes of recent Cuban art. It presents a selection of works by Contemporary Cuban artists donated to the museum by Jorge M. Pérez, the majority from a recent gift of over 170 pieces, as well as works previously gifted to PAMM in 2012, and several recent acquisitions.
exhibition

This Is America: Selections from PAMM’s Collection

Bringing together works by artists from diverse cultural backgrounds and across multiple time periods and media, the exhibition presents a multiplicity of perspectives on American history and identity.
Kevin Beasley, Untitled (parade), 2016.
exhibition

Within Genres

Informed by these interests in art history, the current presentation of the permanent collection— which was installed thematically within two rooms on the first floor and four rooms on the second—is organized around the historical criteria of genres within Western painting and the traditional hierarchy of genres that developed out of the Renaissance period and was promoted…