Gene Davis Blue Freak-Out 1966

Gene Davis, associated with the Washington Color Painters, is a self-taught artist whose early work represents several phases of experimentation, including abstract expressionism, neodada, and proto-pop. Initially working in evenly spaced stripes, the artist broadened his use of the stripe over his career to include every possible variation, almost always in vertical orientation. This rigid and formal structure was in deliberate contrast to the artist’s avowed intuitive approach to color. The stripe was his subject, color its expression. In an interview with art critic Barbara Rose, he compared beginning a painting to “a jazz musician’s bouncing off a standard tune.” 
Identification
Title
Blue Freak-Out
Production Date
1966
Object Number
1997.5
Credit Line
Collection Pérez Art Museum Miami, gift of Tina and Lee Hills
Copyright
© 2022 Estate of Gene Davis / Artists Rights Society (ARS), New York
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Physical Qualities
Medium
Acrylic on canvas
Dimensions
116 1/4 x 115 5/8 inches
Visual Description
Blue Freak-Out by Gene Davis is a painting from 1966. It is made of acrylic paint on canvas and measures roughly nine and a half feet by nine and a half feet. This painting is an example of an abstraction, which is a style of painting that focuses on the gestural movement of shapes and colors rather than depicting scenes or figures. The paint is comprised of a series of long thin, vertical stripes that are different colors. In many ways, it looks like a stretched-out barcode, like the kinds scanned at stores on items for purchase. One key difference is that the vertical stripes in Blue Freak-Out are all the same width, of a little under two inches. The bright, almost technicolor stripes are vertically aligned and bone-straight, giving the artwork a dramatic effect. The colors range from black, brown, grey, pink, purple, maroon, bright green, orange, cyan, light blue, turquoise, dark blue, salmon, gold, plum, and olive. While there are occasionally patterns of repeating colors, there seems to be no order to the color of the stripes. The contrast of colors and repetition of the stripes gives the painting the effect of moving or changing as the viewer’s eyes adjust across the rapid succession of color. 
Gene Davis
Gene Davis — b. 1920, Washington, D.C.; d. 1985, Washington, D.C.
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