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Tomás Saraceno Galaxies Forming along Filaments, Like Droplets along the Strands of a Spider’s Web 2008

Galaxies Forming along Filaments, Like Droplets along the Strands of a Spider’s Web is a space-filling installation piece constructed entirely from elastic rope. Two intersecting “geodesic” spheres hang weightlessly at its center. Each facet of these shapes serves as an anchor point for hundreds of lines that connect to eyehooks affixed to the walls, floors, and ceiling. The work is premised on a complex set of scientific and philosophical concepts––some grounded in actual research, others bearing more of a sci-fi provenance. Saraceno takes spiderwebs as a starting point, investigating how these intricate meshworks gain immense strength, despite their delicate nature, due to their inherent structural properties. Key to Saraceno’s fascination with webs are recent theories that argue that the early universe consisted of a sponge-like form, within which galaxies were birthed along filaments, like droplets on a web.  Saraceno uses sculpture and architecture to model theoretical systems and visualize radical approaches to the design of urban habitats, food production, and transportation. A central theme his practice has been the possibility of moving cities and farms off of the earth’s surface and into the air, an idea that he has embodied with fantastical floating gardens attached to giant, flying geodesic spheres.
Identification
Title
Galaxies Forming along Filaments, Like Droplets along the Strands of a Spider’s Web
Production Date
2008
Object Number
2008.65
Credit Line
Collection Pérez Art Museum Miami, museum purchase with funds provided by PAMM’s Collectors Council
Copyright
© Tomás Saraceno 
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Physical Qualities
Medium
Elastic rope
Dimensions
Dimensions variable
Visual Description
“Galaxies Forming along Filaments, Like Droplets along the Strands of a Spider’s Web is a space-filling installation piece constructed entirely from black elastic rope. Its dimensions are variable, meaning that its size depends on the space that it is installed in. The installation centers around a geodesic sphere hanging weightlessly at the center of the room. Geodesic structures tend to be domes made from triangles. However, this sphere or dome is made with an amorphous grouping of knots that coalesce to resemble a kidney bean shape more than a dome. The surface of this shape is made of small clusters of holes, like a disorganized honeycomb pattern through which we can see through to the other side of the room. Every knotted hole of this geodesic shape serves as an anchor point for hundreds of lines that connect to eyehooks affixed to the walls, floors, and ceiling. The overall result is a sponge-like organic form that appears to stretch out its maze-like tendrils across the room, inviting the viewer to explore in and around its anatomy. “
Tomás Saraceno
Tomás Saraceno — b. 1973, Tucuman, Argentina; lives in Berlin
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