Pérez Art Museum Miami

Madeleine Hunt-Ehrlich (b. 1987) is a filmmaker and artist whose work blends narrative and documentary traditions to explore stories and experiences of Black women in the Americas.

Joan Didion: What She Means is an exhibition as portrait, an examination of the life of the great American artist Joan Didion by curator Hilton Als, critically acclaimed writer and New Yorker contributor.

Pérez Art Museum Miami (PAMM) will present the first monographic survey exhibition of Leandro Erlich’s work in North America, under the title Leandro Erlich: Liminal. Selected and arranged by New York-based guest curator Dan Cameron, the exhibition will present sixteen works that span more than two decades of Erlich’s production.

Christo (born Christo Vladmirov Javacheff) and his wife and artistic collaborator Jeanne-Claude made an inestimable impact on the history of art since the mid-20th century. Together, they created large-scale, ephemeral, public art projects, involving dramatic interventions in carefully selected outdoor locations. With a career that spans nearly six decades, their…

Penetrável Macaléia (1978) is among the last variations of the form that Oiticica conceived. Dedicated to Jards Macalé, the famous musician who was a dear friend of the artist. The design of this work was inspired by an epic party at Macalé’s house, which Oiticica wrote vividly about in his notes.…

Acquired for PAMM’s collection in 2020 with funds provided by Jorge M. Pérez, Chromosaturation is an immersive environment that reimagines color as an embodied experience.

Thanks to a recent grant received through the Bank of America Art Conservation Project, George Segal’s Abraham’s Farewell to Ishmael (1987) is on view for the first time since a complete restoration.

Heaven’s Gate is a monumental new work by video artist Marco Brambilla.

Trophallaxis (2008–17) encapsulates artist Simone Leigh’s emphasis on the female body—particularly the Black female body—as a culturally loaded signifier. The presentation marks the first time this work is shown since it was acquired for the museum in 2018 with funds provided by PAMM’s Collectors Council.

Mariano: Variations on a Theme is the first major retrospective exhibition of the work of Cuban artist Mariano Rodríguez in the United States.

Zhivago Duncan creates elaborate multimedia works accompanied by sprawling narratives.

Marisol and Warhol Take New York charts the emergence of Marisol and Andy Warhol in New York during the dawn of Pop art in the early 1960s. 

With a nod to Surrealism and its use of everyday materials, subversion of common objects, and incorporation of poetic language, this exhibition celebrates how the characteristics of the poème-objet (poem-object) are present in contemporary art.

Jedd  Novatt: Monotypes and More is comprised of small-scale sculptures that inform  Novatt’s  two-dimensional works on paper and his relationship to drawing.

Felipe Mujica creates works comprised of installation, drawing, collapsible sculptures, and printmaking. His fabric panels—or curtains, as he describes them—operate as both sculptural objects and functional architectural interventions.

Allied with Power: African and African Diaspora Art from the Jorge M. Pérez Collection celebrates their most recent acquisitions, which consists of a sizable selection of international African and African Diaspora artists.

Meleko Mokgosi wields the traditions of Western European painting to deliver sharp political critiques relating to the postcolonial condition.

MY BODY, MY RULES is a group exhibition that examines the mainstream portrayal of women, confronting the stereotypes, violence, limitations, and ideals imposed on the disputed image of the female body.

Polyphonic: Celebrating PAMM’s Fund for African American Art highlights a group of paintings, sculptures, and photographs that have since become quintessential for the museum—including works by Terry Adkins, Romare Bearden, Kevin Beasley, Ed Clark, Leslie Hewitt, Faith Ringgold, Tschabalala Self, Xaviera Simmons and Juana Valdes, among several others.

The Other Side of Now: Foresight in Contemporary Caribbean Art is a thematic group exhibition centered on the question, “what might a Caribbean future look like?” With a series of newly commissioned works, The Other Side of Now seeks to think beyond narratives of catastrophe that continue to frame the…