Ambassadors for Black Art

The PAMM Fund for Black Art was initiated with a $1 million grant, funded equally by Darlene and Jorge M. Pérez and the John S. and James L. Knight Foundation, for the purchase of contemporary art by Black artists for the museum’s permanent collection. Through the Fund, the museum first acquired works by Al Loving, Faith Ringgold, and Xaviera Simmons. In 2018, the museum created an endowment with a challenge grant from the Knight Foundation, in order to maintain the Fund in perpetuity.
The Ambassadors for Black Art is a membership group that supports the PAMM Fund for Black Art, a fund dedicated to the acquisition of works by Black artists and related programming. Your support will ensure that South Florida’s flagship art museum represents the diversity of the community it serves for years to come, while elevating appreciation of Black art and culture.
The PAMM Ambassadors for Black Art enjoy benefits including free museum admission, invitations to quarterly events, recognition on PAMM’s website, and much more. This important opportunity and your invaluable participation are part of what makes Miami special. Many of Miami’s most influential business, civic, and cultural leaders and advocates have already signed on. Will you?
More about Art + Soul and PAMM’s Fund for Black Art


Upcoming Events
Robert Morris, Untitled (Mirrored Cubes), 1965
Wallace Berman, Untitled, ca. 1960
Rashid Johnson, Tribe, 2013
Meleko Mokgosi, Terra pericolosa III (Dangerous Land III), 2015
Devan Shimoyama, Tasha, 2018
Raymond Pettibon, Sunday Night and Saturday Morning, 2005
Los Carpinteros, Sala de lectura octagonal (prototipo) (Octagonal Reading Room (Prototype)), 2013
Juan Pablo Garza, Ricardo con parangolé (Ricardiño antes del alba) (Ricardo with parangolé (Ricardiño before dawn) ), 2018
Iran do Espírito Santo, Restless 21, 2004
Iran do Espírito Santo, Restless 20, 2004
Los Carpinteros, Parte de parte (tríptico) (Part of a Part), 2008
Esterio Segura, Mover el cielo con el alma (Move the Heavens with Your Soul), 2002
Martin Oppel, Mount, 2006
José Bedia, Mamá quiere menga, menga de su Nkombo, 1988
Alfredo Jaar, A Logo for America, 1987–95
Alfredo Jaar, I Can’t Go On. I’ll Go On., 2016
Mark Dion, Herbarium Perrine (Marine Algae), 2006
Paulo Nazareth, Guarani-Asteca (Guarani-Aztec), 2019
Manuel Mendive, From the series Energías I, 2010
Bárbara Wagner & Benjamin de Burca, Estás vendo coisas (You Are Seeing Things), 2016
Past Events
Robert Morris, Untitled (Mirrored Cubes), 1965
Wallace Berman, Untitled, ca. 1960
Rashid Johnson, Tribe, 2013
Meleko Mokgosi, Terra pericolosa III (Dangerous Land III), 2015
Devan Shimoyama, Tasha, 2018
Raymond Pettibon, Sunday Night and Saturday Morning, 2005
Los Carpinteros, Sala de lectura octagonal (prototipo) (Octagonal Reading Room (Prototype)), 2013
Juan Pablo Garza, Ricardo con parangolé (Ricardiño antes del alba) (Ricardo with parangolé (Ricardiño before dawn) ), 2018
Iran do Espírito Santo, Restless 21, 2004
Iran do Espírito Santo, Restless 20, 2004
Los Carpinteros, Parte de parte (tríptico) (Part of a Part), 2008
Esterio Segura, Mover el cielo con el alma (Move the Heavens with Your Soul), 2002
Martin Oppel, Mount, 2006
José Bedia, Mamá quiere menga, menga de su Nkombo, 1988
Alfredo Jaar, A Logo for America, 1987–95
Alfredo Jaar, I Can’t Go On. I’ll Go On., 2016
Mark Dion, Herbarium Perrine (Marine Algae), 2006
Paulo Nazareth, Guarani-Asteca (Guarani-Aztec), 2019
Manuel Mendive, From the series Energías I, 2010