Tschabalala Self

b. 1990, New York; lives in New York and New Haven, Connecticut

Wikipedia Entry

Tschabalala Self is an American artist best known for her depictions of Black female figures using paint, fabric, and discarded pieces of her previous works. She has been commissioned for public sculptures in the UK, and her use of mixed media in her works on canvas have been described as employing a “painting language.” Inspired by works by African-American artist Romare Bearden, Self creates collages of various items that she has collected over time and sews them together to depict Black female bodies that “defy the narrow spaces in which they are forced to exist”. She derives the concept from the history behind the African-American struggle and oppression in society. Self reclaims the Black female body and portrays them to be free of stereotypes without having to fear being punished. Her goal is to “create alternative narratives around the Black body.” Much of Self’s work uses elements from Black culture to construct quilt-like portraits. Self lives in Hudson, New York.

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Featured Exhibitions
Tschabalala Self. Chopped Cheese, 2017
exhibition

Polyphonic: Celebrating PAMM’s Fund for African American Art

Polyphonic: Celebrating PAMM’s Fund for African American Art highlights a group of paintings, sculptures, and photographs that have since become quintessential for the museum—including works by Terry Adkins, Romare Bearden, Kevin Beasley, Ed Clark, Leslie Hewitt, Faith Ringgold, Tschabalala Self, Xaviera Simmons and Juana Valdes, among several others.
Carmen Herrera. Alba, 2014.
exhibition

The Gift of Art

For the presentation of the museum’s permanent collection during our 35th anniversary year, this understanding of art was conflated conceptually with the celebration of donations of art that have been made to the museum during the last several decades. The artworks represented outstanding examples of the works that have been gifted to the museum since it first…
Kevin Beasley, Untitled (parade), 2016.
exhibition

Within Genres

Informed by these interests in art history, the current presentation of the permanent collection— which was installed thematically within two rooms on the first floor and four rooms on the second—is organized around the historical criteria of genres within Western painting and the traditional hierarchy of genres that developed out of the Renaissance period and was promoted…