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Malick Sidibé Prêt pour le pachanga (Ready for the Pachanga) 1965/2008

Malick Sidibé was one of the first African photographers to take his camera out of the studio, frequenting the legendary house parties and street gatherings that comprised the vibrant nightlife of Bamako, Mali, in the 1960s and 1970s. In image after image, he vividly captures the sense of exhilaration that reverberated throughout the capital city during the early years of the country’s independence, as a new, modern national identity took shape following more than 60 years of French colonial rule. Sidibé’s photographs reveal the important role Western popular music and fashion played in this context, transforming the country’s urban youth culture. The prominence of figures like James Brown, Ray Charles, Jimi Hendrix, and other British and North American icons—and of bell-bottom jeans, leather jackets, leisure suits, and patterned dresses—engenders a pointed irony. In Sidibé’s words, “While there is an implicit contradiction in the embrace of international music after a long struggle for independence from outside control, in Mali that embrace was marked by a new autonomy and agency that had not existed before.” At the same time that it celebrates universal human values, such as the exuberance of youth and the yearning for freedom, Sidibé’s work serves as a record of these nuanced social dynamics, indicating the complexity of the historian’s task in the age of globalization. 
Identification
Title
Prêt pour le pachanga (Ready for the Pachanga)
Production Date
1965/2008
Object Number
2014.114
Credit Line
Collection Pérez Art Museum Miami, museum purchase
Copyright
© Malik Sidibé. Courtesy the artist and Jack Shainman Gallery, New York
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Physical Qualities
Medium
Gelatin silver print
Dimensions
24 x 19 3/4 inches
Visual Description
Prêt pour le pachanga by Malick Sidibé is a photograph from 1965 printed as a gelatin silver print in 2008. It measures twenty-four inches by nineteen and three quarters of an inch and is hung in portrait orientation, meaning its shortest side runs parallel to the ground. The photograph is a portrait of a man. The image is in black and white. The central figure is wearing matching dark clothes. The sleeves are short and the collar is partially unbuttoned, exposing the man’s collar bone. He wears shiny black shoes. He is black with dark skin and short hair. He smiles as he looks at the viewer. In his right hand he is holding a cigarette and in his left hand he is holding the sleeve to a vinyl record. The sleeve has the word “Pachanga” printed in white along with the image of a woman. To the right of the figure there is a small and short table with a record player on top of it. There is a record playing. Underneath it there are sleeves for other records as well as a small black container. The walls of the room are white with a grey section toward the bottom. The wall closest to the record player has power outlets which are powering the record player with cables that messily drape down the wall. The far right of the composition is occupied by a door way that is dark grey. Underneath the image, the text “PRêt – pour le Pachanga – 1965 Malick Sidibe 2008” is written by the artist.
Malick Sidibé
Malick Sidibé — b. 1935, Soloba, Mali; d. 2016, Bamako, Mali
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