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PAMM Collection

Jenny Holzer, WHITE ARNO & BLUE TOWER, 1996–98

Two-sided electronic L.E.D. freestanding column and white diodes

100 Highlights and Word/Image

© 2022 Jenny Holzer, member Artists Rights Society (ARS), New York

Hélio Oiticica, Penetrável Macaléia (Macaléia Penetrable), 1978/2010

Stainless steel, colored metal screens, gravel, stones, plants, and terracotta pots

100 Highlights and Latin American and Latinx

© Hélio Oiticica. Courtesy Lisson Gallery

Morris Louis, Circum II, 1959–60

Acrylic resin on canvas

© Pérez Art Museum Miami

Karon Davis, Bobby Seale and The People’s Free Food Program, 2020–21

Plaster bandages, plaster, chicken wire, glass eyes, steel, acrylic resin, and gold paint

100 Highlights and African and African Diaspora

© Karon Davis. Courtesy the artist and Jeffrey Deitch, New York. Photo: Cooper Dodds and Genevieve Hanson

George Segal, Abraham’s Farewell to Ishmael, 1987

Painted plaster

© Pérez Art Museum Miami

Lawrence Weiner, A WALL BUILT TO FACE THE LAND & FACE THE WATER AT THE LEVEL OF THE SEA, 2008

LANGUAGE + THE MATERIALS REFERRED TO

100 Highlights and Word/Image

© 2022 Lawrence Weiner / Artists Rights Society (ARS), New York

Rashid Johnson, Tribe, 2013

Burned red oak flooring, black soap, wax, and spray enamel

100 Highlights and African and African Diaspora

© Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photo: Martin Parsekian

José Bedia, Mamá quiere menga, menga de su Nkombo, 1988

Acrylic on canvas

100 Highlights, Caribbean and Caribbean Diaspora, Latin American and Latinx, and Miami-based artists

Alfredo Jaar, A Logo for America, 1987–95

Silver dye bleach prints, face-mounted to acrylic

100 Highlights, Latin American and Latinx, and Word/Image

© Alfredo Jaar. Courtesy Galerie Lelong & Co., New York

Paulo Nazareth, Guarani-Asteca (Guarani-Aztec), 2019

Resin, metal, and various objects

100 Highlights, African and African Diaspora, and Latin American and Latinx

© Paulo Nazarteth. Courtesy the artist and Mendes Wood DM São Paulo, Brussels, New York. Photo: Bruno Leão

Taryn Simon, Convention on Cluster Munitions. Oslo, Norway, December 3, 2008, Paperwork and the Will of Capital, 2015

Archival inkjet print and text on archival herbarium paper in wood frame

© Taryn Simon. Courtesy Gagosian

Pedro Reyes, Black Sun, 2016

Volcanic stone and brass

100 Highlights and Latin American and Latinx

Christo, The Gates, Project for Central Park, 1984

Graphite, charcoal, pastel, and wax crayon

Ana Mendieta, Silueta Works in Mexico, 1973–77

100 Highlights, Caribbean and Caribbean Diaspora, and Latin American and Latinx

© 2022 The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong & Co. / Licensed by Artists Rights Society (ARS), New York

Robert Rauschenberg, Love Hotel [Anagram (A Pun)], 1998

Vegetable dye transfer on polylaminate

© 2022 Robert Rauschenberg Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Romare Bearden, Evening 9:10, 461 Lenox Avenue, 1964

100 Highlights and African and African Diaspora

© 2022 Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Marcel Duchamp, Boîte-en-valise (De ou par Marcel Duchamp ou Rrose Sélavy) (Box in a Valise (From or by Marcel Duchamp or Rrose Sélavy)), 1941/1961

Linen-covered box containing 68 miniature replicas and color reproductions of works by Duchamp

© Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York 2022

Lorraine O’Grady, Art Is . . ., 1983/2009

Chromogenic prints

100 Highlights, African and African Diaspora, and Caribbean and Caribbean Diaspora

© 2022 Lorraine O’Grady / Artists Rights Society (ARS), New York

Daniel Lind-Ramos, Vencedor #2, 1797 (Victor #2, 1797 ), 2017–20

Steel, aluminum, nails, palm tree branches, dried coconuts, branches, palm tree trunks, burlap, machete, leather, ropes, sequin, awning, plastic ropes, fabric, pins, duct tape, and acrylic

100 Highlights, African and African Diaspora, Caribbean and Caribbean Diaspora, and Latin American and Latinx

© Daniel Lind-Ramos. Photo: Pierre Le Hors

Luchita Hurtado, Untitled, 1971

100 Highlights and Latin American and Latinx

© The Estate of Luchita Hurtado. Courtesy The Estate of Luchita Hurtado and Hauser & Wirth