Ambassadors for Black Art

The PAMM Fund for Black Art was initiated with a $1 million grant, funded equally by Darlene and Jorge M. Pérez and the John S. and James L. Knight Foundation, for the purchase of contemporary art by Black artists for the museum’s permanent collection. Through the Fund, the museum first acquired works by Al Loving, Faith Ringgold, and Xaviera Simmons. In 2018, the museum created an endowment with a challenge grant from the Knight Foundation, in order to maintain the Fund in perpetuity.
The Ambassadors for Black Art is a membership group that supports the PAMM Fund for Black Art, a fund dedicated to the acquisition of works by Black artists and related programming. Your support will ensure that South Florida’s flagship art museum represents the diversity of the community it serves for years to come, while elevating appreciation of Black art and culture.
The PAMM Ambassadors for Black Art enjoy benefits including free museum admission, invitations to quarterly events, recognition on PAMM’s website, and much more. This important opportunity and your invaluable participation are part of what makes Miami special. Many of Miami’s most influential business, civic, and cultural leaders and advocates have already signed on. Will you?
More about Art + Soul and PAMM’s Fund for Black Art


Upcoming Events
Al Held, Solar Wind I, 1973–74
Zilia Sánchez, Sin título (Untitled), 1971
Barbara Bloom, Safe, 1999
Kehinde Wiley, Regard the Class Struggle as a Main Link in the Chain, 2007
Frank Stella, Protractor Variation I, 1969
Malick Sidibé, Prêt pour le pachanga (Ready for the Pachanga), 1965/2008
Fernando Botero, Niños jugando (Children Playing), 1969
Kenny Rivero, New Hat, 2019
Diego Rivera, Naturaleza muerta (Still-Life), 1908
Joaquín Torres-García, Mujer con abanico (Woman with Fan), 1924
Beatriz Milhazes, Marotoloco, 2014–15
Fernando Botero, Manzanas (Apples), 1957–58
Beatriz González, Los papagayos (The Parrots), 1987
Damián Ortega, Int/Ext, 2006
Juana Valdes, An Inherent View of the World, 2014
Sol LeWitt, Incomplete Open Cube 8/2, 1974
Nancy Spero, Helicopter, Victim, Astronaut, 1968
Elizabeth Murray, Falling, 1976
John Ahearn in collaboration with Rigoberto Torres, Double Dutch, 1981/2010
Wifredo Lam, Doble desnudo II – mujeres recostadas (Double Nude II – Reclining Women), 1937
Past Events
Al Held, Solar Wind I, 1973–74
Zilia Sánchez, Sin título (Untitled), 1971
Barbara Bloom, Safe, 1999
Kehinde Wiley, Regard the Class Struggle as a Main Link in the Chain, 2007
Frank Stella, Protractor Variation I, 1969
Malick Sidibé, Prêt pour le pachanga (Ready for the Pachanga), 1965/2008
Fernando Botero, Niños jugando (Children Playing), 1969
Kenny Rivero, New Hat, 2019
Diego Rivera, Naturaleza muerta (Still-Life), 1908
Joaquín Torres-García, Mujer con abanico (Woman with Fan), 1924
Beatriz Milhazes, Marotoloco, 2014–15
Fernando Botero, Manzanas (Apples), 1957–58
Beatriz González, Los papagayos (The Parrots), 1987
Damián Ortega, Int/Ext, 2006
Juana Valdes, An Inherent View of the World, 2014
Sol LeWitt, Incomplete Open Cube 8/2, 1974
Nancy Spero, Helicopter, Victim, Astronaut, 1968
Elizabeth Murray, Falling, 1976
John Ahearn in collaboration with Rigoberto Torres, Double Dutch, 1981/2010