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Elizabeth Murray Falling 1976

Reacting to the seriousness and austerity of the Minimalist and Conceptual art practices of the 1960s and 1970s, many painters in the early 1980s developed a brash, exuberant aesthetic. Falling is a strong early example of Elizabeth Murray’s pioneering contributions to this new wave of painterly experimentation.  Invoking the slapstick suggestion of a large abstract painting that has partially fallen off its hooks, Falling encapsulates Murray’s playful irreverence toward art history and the artistic canon. The painting adopts the saturated color, large rectangular format, and “allover” (edge-to-edge) composition that characterizes the work of Abstract Expressionist painters such as Barnett Newman and Jackson Pollock. Yet in contrast to the air of gravitas and earnest introspection associated with the work of these earlier artists, Murray’s painting drips with irony and humor. And while the prior generation deployed the medium in an attempt to express lofty truths and universal themes, Murray used it to explore and elevate the mundane and the personal.
Identification
Title
Falling
Production Date
1976
Object Number
2019.184
Credit Line
Collection Pérez Art Museum Miami, museum purchase with funds provided by PAMM’s Collectors Council and gift of Pace Gallery, New York
Copyright
© 2022 The Murray-Holman Family Trust / Artists Rights Society (ARS), New York
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Physical Qualities
Medium
Oil on canvas
Dimensions
118 x 119 inches
Visual Description
Falling by artist Elizabeth Murray is a painting made in 1976. It is made of oil paint on canvas and measures roughly ten feet by slightly under ten feet. It is hung at an angle with one corner of the rectangular canvas pointing toward the ceiling. Diagonally across the canvas, the lowest corner points at the gallery floor. This painting is an example of an abstraction, which is a style of painting that focuses on the gestural movement of shapes and colors rather than depicting scenes or figures. The painting is comprised of three distinct sections of color with a large shape intersecting two of these sections. Starting from the bottom there is a large section of paint that is green in color. Although mostly uniform it is possible to see bits of exposed canvas throughout. This section extends toward the topmost corner of the painting on the left, and toward the middle of the canvas on the right. This section is interrupted by a portion of brown-red colored paint that is an irregular shape with an undulating bottom and a pointed top. This section of paint covers a large portion of the remaining canvas that is not green and leaves only a small area toward the top of the canvas that is occupied by the final section of paint, which is a light yellow. Intersecting the two larger sections of color is an arc-like shape that is painted in a bright red. At its peak it seems to create a small loop within itself resembling a cursive letter “M”. Within this loop there is a small teardrop shape of black paint. Above the red arc, there is a small thin line of blue paint that zigzags its way across the entire width of the painting. The title of piece seems to reference the manner in which the painting is hung, which resembles a painting that is in the process of falling off the wall.
Elizabeth Murray
Elizabeth Murray — b. 1940, Chicago; d. 2007, Washington County, New York
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