Brian Dettmer sees books as vessels full of unearthed potential. Using knives, tweezers, and surgical tools, he carves into existing books—from front to back, one page at a time—cutting around selected images and textual fragments. The result resembles an elaborate, multitiered collage, except that no element has been adhered or implanted: the imagery emerges solely as a function of removal, never addition. Dettmer’s highly crafted work bears resemblances to archeology, in the literal sense that it entails a form of excavation and in the sense that it involves extrapolating meaning from physical objects—books, in this case—while attaching value to them for their ability to embody human cultural endeavors. If the slow, meticulous process that he has refined seems at odds with the rapid-fire pace of life in the information age, it parallels the book’s tenacious insistence on materiality in the face of the digital revolution that threatens to supersede it.
Identification
Title
Engraving to Harlow from the series Encyclopedia
Production Date
2008
Object Number
2016.236
Credit Line
Collection Pérez Art Museum Miami, acquired from The Sackner Archive of Concrete and Visual Poetry, with support from the John S. and James L. Knight Foundation
“Engraving to Harlow from the series Encyclopedia by Brian Dettmer is a book based art work from 2008. It is made of a hardcover book with cut pages and acrylic cover. It measures nine and a half inches tall by six and three-quarters of an inch wide and one and a half inches thick.
The cover is scarlet red with a leather texture.
The center of the cover is cut out leaving a border that is about an inch wide all around. Inside the frame is an elaborately layered 3D collage. With the background and foreground centering around 3 male faces diagonally positioned from lowest head starting on the left and the highest on the right. The colored illustrations of heads have colored scenes behind them and in the foreground in front of them. The foreground is composed of newspaper articles chopped up into phrases and sentences. In addition to the text there are colored illustrations that seem to originate from children’s books of bridges and city scenes with tiny people, castles, a drum, a giant fish and a peek of a tire in the far-right background all intertwined into the image and encaged by the texted words.
Text hangs in the foreground like banners, words staked in the middle read as:
Father of earlier
Father of is called
Father of industrial
Father of
These words are typed out and cut out of newspaper articles and placed in front of the figures. Maps are also used in this 3D collage placed at the very first layer. There are roads and trails that read Black Sea, Turkey, Iraq, Iran, and Syria
Other words on the left-hand corner are cut out and suspended between the foreground and the background. They are:
London
New Jersey
San Francisco
Chicago”
Brian Dettmer
Brian Dettmer — b. 1974, Chicago; lives in New York Artist Page