Miami, FL

81°F, scattered clouds

Pérez Art Museum Miami

Open Today, 11:00 AM – 6:00 PM

Luchita Hurtado Untitled 1971

Luchita Hurtado’s paintings function as windows into a realm of enigmatic imagery. Throughout a long, peripatetic life that has taken her from South America to New York to Mexico to California, Hurtado has developed a complex oeuvre that touches on feminist themes while drawing on various indigenous American cultural traditions; she layers these topics with allusions to non-religious spirituality and cosmic subject matter. Over the course of her career, her work has hovered stylistically between diverse tendencies within 20th-century Modernism, from Surrealism to various strains of geometric abstraction, as well as “Dynaton,” a brand of fantastical abstraction co-founded by her late husband, U.S. painter Lee Mullican. Even so, Hurtado has always resisted all attempts to align her with any given artistic movement or tendency, choosing a resolutely individualistic path.   Untitled (1971) pertains to a group of sensitively rendered paintings from the 1970s characterized by a downward looking perspective that catches incidental glimpses of the subjects’ nude bodies. In this and other series, Hurtado’s paintings are composed from her personal vantage point, offering a scene that would normally be exclusive to her own visual memory. Realized amidst the Second-Wave women’s movement of the era, this unusually intimate compositional scheme can be readily interpreted as an attempt to subvert the so-called male gaze. In the words of curator Dextra Frankel, the artist “looks down and sees herself in a way men never see women.” At the same time, the images reinforce the idea of the embodied, carnal nature of visual perceptual experience.
Identification
Title
Untitled
Production Date
1971
Object Number
2018.040
Credit Line
Collection Pérez Art Museum Miami, museum purchase with funds provided by PAMM’s Collectors Council
Copyright
© The Estate of Luchita Hurtado. Courtesy The Estate of Luchita Hurtado and Hauser & Wirth
Copy artwork link
Physical Qualities
Medium
Oil on canvas
Dimensions
32 1/4 x 16 inches
Visual Description
“Untitled by Luchita Hurtado is an oil painting on canvas made in 1971. It measures roughly two and a half feet by one and half feet and is hung in portrait orientation, meaning the shortest side runs parallel to the floor. This painting is a mix of modernism and surrealism. Modernism is a style of painting that focuses on recent western artistic experimentation while surrealism allows the unconscious mind to express itself. The shape of the canvas is a long rectangle and it’s divided in the middle by a horizontal line. The composition is painted from an overhead, aerial perspective, as if you’re looking downward at the scene. This painting is comprised of body parts, specifically hands and feet, all set in the same color scheme- a tan, light yellow color. We see a cropped image of feet (from the arch to the toes) coming into the painting from the left and right borders. On the top left of the canvas, there is a right foot slightly angled downward. Moving downward, right around the horizontal line, there’s a pair of feet angled in a sideways “V” formation with a knee also overlapping the right foot. At the bottom, we see a left foot with a knee overlapping it, parallel to the canvas. On the top right side of the canvas, we see a pair of feet angled in a sideways “V” formation again. The left foot is placed closer to the center of the canvas while the right foot is farther back, only showing a couple of toes. Moving below the dividing line, we see another pair of feet also in the sideways “V” formation. The feet appear to be close together, almost touching. Below the feet, on the horizontal edge, there is a right hand that is pointing with its index finger at the crack that’s in the middle of the floor. The floor is painted blue-gray, reminiscent of concrete, and the crack is painted dark blue, almost appearing black in some places. Starting where the finger is pointed, the crack climbs up in a zigzag and right below the horizontal line it branches off downwards from the main crack, forming and upside-down “V.” Picking back up from the main crack, it keeps climbing up and branches off to the right, slightly downwards, close to the second foot that’s on the right side. Continuing on the main crack, it climbs up a bit more and then branches off to the left in a downward angle. Back on the main crack, it keeps climbing and ends below the top horizontal edge of the canvas. There is also a small crack on the right side of the canvas, starting at the end of the horizontal line and climbing upwards at an angle. Two feathers appear on the floor. The first feather is placed at the top, on the right side of the crack, in an upward angle. The second feather is on the crack, above the horizontal line, at a downward angle. Both feathers have a gradient, starting as white and then blending into black. “
Luchita Hurtado
Luchita Hurtado — b. 1920, Maiquetía, Venezuela; d. 2020, Santa Monica, California
Artist Page