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Lilian Garcia-Roig Hyperbolic Nature: La Florida 2012-13

Lilian García-Roig creates large-scale paintings of dense landscapes that overwhelm the viewer’s senses. Hyperbolic Nature: La Florida consists of five individual panels grouped together to make a single, cross-shaped composition. What appears from a distance to be an abstract image reveals itself upon closer inspection to depict the thick, luscious foliage that characterizes Florida’s subtropical environment. The work compresses locations separated by many miles into a single scene. The result feels like a jumble, as though the viewer is entangled within the vegetation, looking to make sense of where to go and how to navigate through it. García-Roig painted each of the panels in a wet-on-wet manner and en plein air (outdoors and on-site) over the course of a single day. This approach allows the artist to capture the subtle changes of light and form that occur in these settings over time. In this way, García-Roig reflects on not only on the landscape itself, but also the ways in which humans perceive and experience such contexts. Her ultimate aim is to explore how we might feel a sense of belonging within certain environments, and how nature can function as a place of refuge, healing, and reconciliation. 
Identification
Title
Hyperbolic Nature: La Florida
Production Date
2012-13
Object Number
2020.133a-e
Credit Line
Collection Pérez Art Museum Miami, gift of Eric G. Johnson
Copyright
© Lilian Garcia-Roig
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Physical Qualities
Medium
Oil on canvas
Dimensions
144 x 156 x 1 1/2 inches
Visual Description
Hyperbolic Nature: La Florida, by Lillian Garcia Roig is a five-panel oil painting on canvas. It measures one hundred and forty-four inches wide by one hundred and fifty-six inches tall, overall. This equals twelve feet wide by thirteen feet tall. Three of the large rectangular canvases are stacked in a central column, in a landscape orientation. The two remaining canvases are placed on either side of the column, in portrait orientation, to form a large upside-down cross. Altogether, this large, irregular landscape showcases mangroves and palm canopies in a tropical setting. A mish mash of dense greenery crowds the space, gathered together to create an impressionistic topography. The central column of paintings is organized around a long palm tree. The top canvas contains the crown of palm fronds, the center canvas is interrupted by logs and tree trunks crossing in front of the palm tree, and the bottom canvas shows the exposed root network of mangroves as they plunge into shallow water. The two flanking canvases on either side of the column show more of the dense mangrove floor, filled to their edges with dense green palm fronds and tropical greenery. Generally, the thick exaggerated strokes of solid color make up the five planes assembled as puzzle pieces. The five canvasses come together to form this very large composition. The impressions of palm fronds burst like fireworks. The roots look like streamers as they trickle down to meet the water’s surface, casting crude curves across tree trunks made of shadows by the Florida sun. Electric blue hues peak through the negative spaces of the foliage and trunks, true to mangroves and swamps.
Lilian Garcia-Roig
Lilian Garcia-Roig — b. 1966, Havana; lives in Tallahassee
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