Oriki Savalu is a wall-mounted sculptural work by Nádia Taquary, made in 2020. The work is made of Centenary ipê wood, Nigerian lagidibás beads, glass beads, and copper. Centenary ipê wood refers to ipê hardwood from ancient, mature trees—often over 100 years old, hence the term centenary. Ipê (pronounced ee-pay) is one of the world’s most rigid and durable woods, native to Central and South America, particularly Brazil. Due to its density and dark, elegant appearance, it’s often called “Brazilian walnut” in the lumber trade. Lagidibás beads are a traditional and culturally significant beadwork from Nigeria, particularly associated with the Yorùbá people. These beads are often used in royal regalia, ceremonial attire, and religious contexts. The piece measures 12 x 11 x 11 inches and is hung on the wall at eye level, with its longest dimension from the wall to the viewer. The base of the sculpture is made of centenary ipê wood and is in the shape of the top of a human head. Attached to the “head” are twelve copper wires covered in black beads, intended to resemble braided hair. Each “braid” comes out of the wooden base toward the viewer, and all the braids come together as the hang toward the floor, with the ends of each coming toward the floor. On the title Oriki Savalu, In Yoruba culture, an oríkì is a form of praise poetry that celebrates an individual’s lineage, accomplishments, and attributes. The term combines “orí” (head or inner essence) and “kì” (to greet or praise), serving as a verbal affirmation of one’s identity and ancestral connections. Oríkìs are often recited or sung during significant life events, reinforcing a person’s place within their community and history.