Ambassadors for Black Art

The PAMM Fund for Black Art was initiated with a $1 million grant, funded equally by Darlene and Jorge M. Pérez and the John S. and James L. Knight Foundation, for the purchase of contemporary art by Black artists for the museum’s permanent collection. Through the Fund, the museum first acquired works by Al Loving, Faith Ringgold, and Xaviera Simmons. In 2018, the museum created an endowment with a challenge grant from the Knight Foundation, in order to maintain the Fund in perpetuity.
The Ambassadors for Black Art is a membership group that supports the PAMM Fund for Black Art, a fund dedicated to the acquisition of works by Black artists and related programming. Your support will ensure that South Florida’s flagship art museum represents the diversity of the community it serves for years to come, while elevating appreciation of Black art and culture.
The PAMM Ambassadors for Black Art enjoy benefits including free museum admission, invitations to quarterly events, recognition on PAMM’s website, and much more. This important opportunity and your invaluable participation are part of what makes Miami special. Many of Miami’s most influential business, civic, and cultural leaders and advocates have already signed on. Will you?
More about Art + Soul and PAMM’s Fund for Black Art


Upcoming Events
Arthur Jafa, Love Is The Message, The Message Is Death, 2016
Ai Weiwei, Jade Handcuffs, 2012
José Bedia, Isla venado (Deer Island), 2006
Yoan Capote, Island (see-escape), 2010
Eamon Oré-Girón, Infinite Regress LXXV, 2019
Lorna Simpson, ID, 1990
Lilian Garcia-Roig, Hyperbolic Nature: La Florida, 2012–13
Nari Ward, Homeland Sweet Homeland, 2012
Christina Quarles, Forced Perspective (And I Kno It’s Rigged, But It’s tha Only Game in Town), 2018
Teresita Fernández, Fire (America) 5, 2017
Viktor El-Saieh, Fet Chaloska (Chaloska Festival), 2005–16
Miriam Schapiro, Feathered Fan, 1983
Henry Taylor, Everyone’s Momma, 2013
Michael Craig-Martin, Common History: Dance, 1999
Tschabalala Self, Chopped Cheese, 2017
Faith Ringgold, Black Light Series #1: Big Black, 1967
Kenturah Davis, Black As the Most Exquisite Color, 2019
Terry Adkins, Behearer, 2004
Carlos Estévez, La batalla permanente de la vida transitoria (The Permanent Battle of the Transitory Life), 2010
Goshka Macuga, Aby Warburg on Madness and Ritual, set for Scene 2, 2014
Past Events
Arthur Jafa, Love Is The Message, The Message Is Death, 2016
Ai Weiwei, Jade Handcuffs, 2012
José Bedia, Isla venado (Deer Island), 2006
Yoan Capote, Island (see-escape), 2010
Eamon Oré-Girón, Infinite Regress LXXV, 2019
Lorna Simpson, ID, 1990
Lilian Garcia-Roig, Hyperbolic Nature: La Florida, 2012–13
Nari Ward, Homeland Sweet Homeland, 2012
Christina Quarles, Forced Perspective (And I Kno It’s Rigged, But It’s tha Only Game in Town), 2018
Teresita Fernández, Fire (America) 5, 2017
Viktor El-Saieh, Fet Chaloska (Chaloska Festival), 2005–16
Miriam Schapiro, Feathered Fan, 1983
Henry Taylor, Everyone’s Momma, 2013
Michael Craig-Martin, Common History: Dance, 1999
Tschabalala Self, Chopped Cheese, 2017
Faith Ringgold, Black Light Series #1: Big Black, 1967
Kenturah Davis, Black As the Most Exquisite Color, 2019
Terry Adkins, Behearer, 2004