Infinite Regress LXXV by Eamon Ore-Giron is a painting from 1973. It is made of flashe on linen. It measures eight and a half feet tall by seven feet wide. It is hung in portrait orientation, meaning its shortest side runs parallel to the ground. This art work is an example of an abstraction, which is a style of painting that focuses on the gestural movement of shapes and colors rather than depicting scenes or figures. The painting features a dense array of intersecting lines, rectangles, triangles, and circles over a brown linen background. Starting from the bottom of the canvas and moving up, there is a large and irregular shape that resembles a pyramid and is painted golden yellow. At its base it has five circular cut outs that expose the linen underneath. The pyramid-like shape is made of long triangles that converge at the peak. Underneath each triangle there are five green circles that are partially obscured by the golden structure. On either side of the peak of the pyramid there are dark green circles that rest behind bent rectangular shapes that complete the structure of the pyramid. Touching the peak of the pyramid is a column of vertically stacked circles with abstract shapes painted inside them ranging in colors including blues, yellows, oranges, greens, greys, and browns. Behind the column of circles there are two rectangular sections of paint that mirror one another and are placed on top of each other with a third section in between. The two mirrored sections are formed by a gradient that is a dark red at its base and transitions between shades of oranges and yellows before becoming white at the top. To the right there is a section of long triangles painted in various shades of blue, yellow and white. The third section in between these mirrored sections contains a row of circles and half-circles to the viewers left that are painted white, yellow, teal, and green. To the right, a triangle that is light blue on the top half, and golden yellow on the bottom.